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Trivium

In Waves guitar tone settings.

In Waves · 2011 · Metal

Explore In Waves by Trivium: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

In Waves — Trivium album artwork
Album artwork · Trivium / Apple Music ↗
RECREATION

Main rhythm

Tight modern distortion for strong repeated low-string accents.

In your hands

Keep picking pressure consistent and mute both sides of the strings during rests.

Evidence and sources

Amper practice recreation for the named guitar part or electric arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

RG421→Dual Rectifier Multi-Watt

guitar · Ibanez

RG421

5-way selector (bridge to neck)Bridge humbuckerWhy this setting?

Suggested pickup position for this part; a tonal choice, not a claim about the original session.

Volume10Why this setting?

Suggested volume position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Guitar output.

Tone8Why this setting?

Suggested tone position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Master treble roll-off.

amp · Mesa/Boogie

Dual Rectifier Multi-Watt

Rear channel selectorCH3Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH3 modeModernWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH3 Gain7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel preamp drive.

CH3 Treble7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel high EQ.

CH3 Mid5Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel middle EQ.

CH3 Bass4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel low EQ.

CH3 Presence7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel high response; behavior depends on selected mode.

CH3 Master2Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Channel output.

CH3 Multi-Watt50 WWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH3 Rectifier SelectDiodeWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Loop AssignLoop BypassWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Main Power voicingBoldWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Select the indicated channel on the rear selector, not FTSW. Use Loop Bypass and connect pedals to the front input. Output and Solo are inactive: begin with the active channel Master fully down and raise it cautiously. Only the selected channel settings are shown.

Know the limits

  • Editorial recreation; these settings have not been listening-tested on your setup.
  • Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.
  • Rectifier channel/mode, EQ and presence interact; these positions are a starting point, not a calibrated match.

These are Amper recreation settings, not the artist’s exact knob positions. Amper practice recreation for the named guitar part or electric arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.