Stevie Ray Vaughan & Double Trouble

Little Wing guitar tone settings.

The Sky Is Crying · 1991 · Rock

Explore Little Wing by Stevie Ray Vaughan & Double Trouble: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

The Sky Is Crying — Stevie Ray Vaughan & Double Trouble album artwork — Album artwork · Stevie Ray Vaughan & Double Trouble / Apple Music ↗

RECREATION

Instrumental lead

Glassy, touch-sensitive lead and chord texture.

In your hands

Keep the quiet embellishments clear and let accents push harder.

Evidence and sources

Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

Player II Stratocaster→RV-6 Reverb→Champion 40

guitar · Fender

Player II Stratocaster

Pickup selectorNeck single-coilWhy this setting?

Suggested pickup position for this part; a tonal choice, not a claim about the original session.

Volume10Why this setting?

Suggested volume position for this part. Compare at equal listening volume and adjust by ear.

Normalized 0-10 knob travel; not printed panel numbers

Tone 1 (neck/middle)8Why this setting?

Suggested tone 1 (neck/middle) position for this part. Compare at equal listening volume and adjust by ear.

Normalized 0-10 knob travel; not printed panel numbers

Tone 2 (bridge)8Why this setting?

Suggested tone 2 (bridge) position for this part. Compare at equal listening volume and adjust by ear.

Normalized 0-10 knob travel; not printed panel numbers

pedal · BOSS

RV-6 Reverb

E.Level2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb output amount.

Tone7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb tone; algorithm-dependent.

Time3Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb duration; algorithm-dependent.

ModeHallWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Effect footswitchOnWhy this setting?

Engage this selected pedal for this section; match the bypassed loudness.

Use INPUT A and OUTPUT A for normal mono dry-plus-reverb sound. Do not use Input B alone, which produces wet-only output.

amp · Fender

Champion 40

CH SelectChannel 2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Gain4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel 2 distortion.

Volume 22Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Channel 2 output.

Voice70s BritishWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Treble7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Treble EQ.

Bass4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Bass EQ.

FX Level0Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Selected effect amount.

FX SelectOffWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Choose the indicated voice and effect labels on the panel. FX Level controls the combined effect mix; this plan chooses one available effect or documented combination.

Know the limits

Editorial recreation; these settings have not been listening-tested on your setup.
Champion 40 lacks separate middle controls; the target EQ cannot be matched independently.
Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.
Hall is an editorial ambience choice; exact recorded reverb type and decay are not stored.
Champion effect timing and mix are approximate starting points; its single FX selector cannot provide every requested effect simultaneously.
The displayed chain uses the amp input. Delay/reverb before an overdriven preamp will sound different from a post-drive studio effect; start with a low mix.

These are Amper recreation settings, not the artist’s exact knob positions. The example rig translates this named part’s stored gain, EQ, pickup and effect targets into verified hardware controls. Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.