AMPERTHE WEB STUDIOAndroid app ↗

Soundgarden

Spoonman guitar tone settings.

Superunknown (Deluxe Edition) · 1994 · Hard Rock

Explore Spoonman by Soundgarden: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

Superunknown (Deluxe Edition) — Soundgarden album artwork
Album artwork · Soundgarden / Apple Music ↗
RECREATION

Main rhythm

Tight, dry alternative-rock drive.

In your hands

Make the rhythmic stops crisp and keep the low strings controlled.

Evidence and sources

Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

RG421→5150 Iconic 40W 1x12

guitar · Ibanez

RG421

5-way selector (bridge to neck)Bridge humbuckerWhy this setting?

Suggested pickup position for this part; a tonal choice, not a claim about the original session.

Volume10Why this setting?

Suggested volume position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Guitar output.

Tone8Why this setting?

Suggested tone position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Master treble roll-off.

amp · EVH

5150 Iconic 40W 1x12

Channel selectChannel 1 (green)Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Connected footswitch overrides the panel button.

Channel 1 Gain6Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 preamp drive; low/medium gain.

Channel 1 OverdriveOnWhy this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Changes channel 1 gain and voicing.

Low4Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 shared passive low-frequency EQ.

Mid7Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 shared passive middle-frequency EQ.

High7Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 shared passive high-frequency EQ.

Channel 1 Volume2Why this setting?

Start at minimum, then raise gradually for your room; this is output level, not gain.

Normalized 0-10 post-preamp output level.

Reverb0Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 global post-loop reverb level.

Resonance4Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 power-amp low-frequency response through damping.

Presence7Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Normalized 0-10 power-amp ultra-high-frequency response through damping.

Power level1/4 (10 W)Why this setting?

Editorial starting point for this section; compare at equal listening volume and adjust by ear.

Use the normal instrument input and the connected combo speaker. Leave speaker wiring and load impedance matched to the actual load; they are not song settings. Follow the manual for power/standby operation.

With no footswitch connected, select the indicated channel on the panel. If using the included footswitch, select the channel there and leave Boost off; it overrides the panel selector and adds input gain even when Boost Volume is at zero.

This plan uses the audible combo speaker with Power Amp Mute off, and no effects-loop connections. Start channel Volume at minimum and raise gradually; the 10 W setting can still be loud.

Know the limits

  • Editorial recreation; these settings have not been listening-tested on your setup.
  • Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.

These are Amper recreation settings, not the artist’s exact knob positions. The example rig translates this named part’s stored gain, EQ, pickup and effect targets into verified hardware controls. Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.