Opća Opasnost

Jednom kad noć guitar tone settings.

101 Hit - Rock · 2009 · Balkan Rock

Explore Jednom kad noć by Opća Opasnost: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

RECREATION

Ballad lead arrangement

A warm sustained electric lead arrangement for a rock-ballad setting.

In your hands

Favor deliberate melodic phrases, even bends and pauses rather than continuous runs.

Evidence and sources

Amper practice recreation for the named guitar part or electric arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

Les Paul Standard '60s→DD-8 Digital Delay→RV-6 Reverb→DSL40CR

guitar · Gibson

Les Paul Standard '60s

3-way toggleNeck humbuckerWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Neck volume10Why this setting?

Set pickup output here. Both volumes stay available so the middle selector position is not accidentally muted.

Normalized knob travel 0-10. Neck pickup output.

Bridge volume10Why this setting?

Set pickup output here. Both volumes stay available so the middle selector position is not accidentally muted.

Normalized knob travel 0-10. Bridge pickup output.

Neck tone8Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Neck treble roll-off.

Bridge tone8Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Bridge treble roll-off.

pedal · BOSS

DD-8 Digital Delay

E.Level2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Effect level; mode-dependent.

Feedback3Why this setting?

Begin with restrained repeats; reduce if echoes build up.

Normalized knob travel 0-10. Repeat regeneration; mode-dependent.

Time3Why this setting?

Approximate knob travel only, not milliseconds. Adjust timing to the phrase by ear.

Normalized knob travel 0-10. Delay time; range depends on mode and tap division.

ModeStandardWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CarryoverOffWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Pedal switchEffect onWhy this setting?

Use a normal short press; check the indicator. Do not hold for tap, looping or special gestures.

Effect switching, tap tempo, Warp/GLT gestures or looper transport depend on mode.

Use mono INPUT A and OUTPUT A, Standard mode, and the ordinary effect on/off press. Match delay timing by ear; do not use Loop, Warp or GLT for this plan.

pedal · BOSS

RV-6 Reverb

E.Level2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb output amount.

Tone6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb tone; algorithm-dependent.

Time3Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb duration; algorithm-dependent.

ModeHallWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Effect footswitchOnWhy this setting?

Engage this selected pedal for this section; match the bypassed loudness.

Use INPUT A and OUTPUT A for normal mono dry-plus-reverb sound. Do not use Input B alone, which produces wet-only output.

amp · Marshall

DSL40CR

Classic Gain6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Classic channel preamp drive.

Classic Volume2Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Classic channel output.

Clean/Crunch buttonCrunchWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Also selects Classic channel unless an external two-way footswitch is connected.

Treble6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. High EQ.

Middle7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Mid EQ.

Bass4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Low EQ.

Tone ShiftOffWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Presence6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Power-stage high-frequency response.

Resonance4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Power-stage low-frequency response.

Classic Reverb0Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Classic channel reverb.

Master SelectMaster 1Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Master 12Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Output when Master 1 selected.

LoopOffWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

OutputLow (20 W)Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

With no external channel footswitch connected, select the indicated Classic or Ultra mode using its front-panel button. After selecting the mode, select Master 1 and switch Loop off; recalled states may differ. Start both output levels low.

Know the limits

Editorial recreation; these settings have not been listening-tested on your setup.
Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.
This plan uses full humbuckers; a single-coil reference remains a pickup-type compromise.
The song profile has no exact delay time, subdivision or repeat count. Delay settings are approximate and need adjustment by ear.
Hall is an editorial ambience choice; exact recorded reverb type and decay are not stored.
The displayed chain uses the amp input. Delay/reverb before an overdriven preamp will sound different from a post-drive studio effect; start with a low mix.

These are Amper recreation settings, not the artist’s exact knob positions. Amper practice recreation for the named guitar part or electric arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.