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Metallica

Seek & Destroy guitar tone settings.

Kill 'Em All (Remastered) · 1983 · Metal

Explore Seek & Destroy by Metallica: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

Kill 'Em All (Remastered) — Metallica album artwork
Album artwork · Metallica / Apple Music ↗
RECREATION

Main riff

Dry, forward crunch for the riff.

In your hands

Release the fretting hand cleanly between stops.

Evidence and sources

Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

EC-1000→Dual Rectifier Multi-Watt

guitar · LTD

EC-1000

3-way toggleBridge humbuckerWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Neck volume10Why this setting?

Set pickup output here. Both volumes stay available so the middle selector position is not accidentally muted.

Normalized knob travel 0-10. Neck output.

Bridge volume10Why this setting?

Set pickup output here. Both volumes stay available so the middle selector position is not accidentally muted.

Normalized knob travel 0-10. Bridge output.

Master tone8Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Treble roll-off.

amp · Mesa/Boogie

Dual Rectifier Multi-Watt

Rear channel selectorCH2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH2 modeVintageWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH2 Gain6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel preamp drive.

CH2 Treble7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel high EQ.

CH2 Mid6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel middle EQ.

CH2 Bass4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel low EQ.

CH2 Presence7Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Channel high response; behavior depends on selected mode.

CH2 Master2Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Channel output.

CH2 Multi-Watt50 WWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

CH2 Rectifier SelectDiodeWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Loop AssignLoop BypassWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Main Power voicingBoldWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Select the indicated channel on the rear selector, not FTSW. Use Loop Bypass and connect pedals to the front input. Output and Solo are inactive: begin with the active channel Master fully down and raise it cautiously. Only the selected channel settings are shown.

Know the limits

  • Editorial recreation; these settings have not been listening-tested on your setup.
  • Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.
  • This plan uses full humbuckers; a single-coil reference remains a pickup-type compromise.
  • Rectifier channel/mode, EQ and presence interact; these positions are a starting point, not a calibrated match.

These are Amper recreation settings, not the artist’s exact knob positions. The example rig translates this named part’s stored gain, EQ, pickup and effect targets into verified hardware controls. Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.