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Iron Maiden

Fear of the Dark guitar tone settings.

Fear of the Dark (2015 Remaster) · 1992 · Metal

Explore Fear of the Dark by Iron Maiden: an example rig, amp settings and playing tips. Adapt the reference to your own supported gear with Amper.

Fear of the Dark (2015 Remaster) — Iron Maiden album artwork
Album artwork · Iron Maiden / Apple Music ↗
RECREATION

Opening clean figure

Clear, rounded clean picking.

In your hands

Keep the bass underneath the picked melody.

Evidence and sources

Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.

Reference tone

FREE TO EXPLORE

An authored example rig, not your matched settings or a documented artist preset.

Affinity Stratocaster HSS→RV-6 Reverb→Champion 40

guitar · Squier

Affinity Stratocaster HSS

5-way blade (bridge to neck)Neck single-coilWhy this setting?

Suggested pickup position for this part; a tonal choice, not a claim about the original session.

Master volume10Why this setting?

Suggested master volume position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Guitar output.

Tone 1 (neck)8Why this setting?

Suggested tone 1 (neck) position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Neck pickup treble roll-off.

Tone 2 (bridge/middle)8Why this setting?

Suggested tone 2 (bridge/middle) position for this part. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Bridge and middle treble roll-off.

pedal · BOSS

RV-6 Reverb

E.Level2Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb output amount.

Tone6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb tone; algorithm-dependent.

Time3Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Reverb duration; algorithm-dependent.

ModeHallWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Effect footswitchOnWhy this setting?

Engage this selected pedal for this section; match the bypassed loudness.

Use INPUT A and OUTPUT A for normal mono dry-plus-reverb sound. Do not use Input B alone, which produces wet-only output.

amp · Fender

Champion 40

CH SelectChannel 1Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Volume 12Why this setting?

Start with output at minimum, then raise toward this low starting position to suit your room; knob position is not loudness.

Normalized knob travel 0-10. Clean channel output.

Treble6Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Treble EQ.

Bass4Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Bass EQ.

FX Level0Why this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Normalized knob travel 0-10. Selected effect amount.

FX SelectOffWhy this setting?

Editorial starting point, not a measured reproduction. Compare at equal listening volume and adjust by ear.

Choose the indicated voice and effect labels on the panel. FX Level controls the combined effect mix; this plan chooses one available effect or documented combination.

Know the limits

  • Editorial recreation; these settings have not been listening-tested on your setup.
  • Champion 40 lacks separate middle controls; the target EQ cannot be matched independently.
  • Pickup output, speakers, room, and studio layering remain differences; the numeric mapping is not an acoustic calibration.
  • Hall is an editorial ambience choice; exact recorded reverb type and decay are not stored.
  • Champion effect timing and mix are approximate starting points; its single FX selector cannot provide every requested effect simultaneously.

These are Amper recreation settings, not the artist’s exact knob positions. The example rig translates this named part’s stored gain, EQ, pickup and effect targets into verified hardware controls. Amper practice recreation for the named guitar part or arrangement. Gain, EQ, pickup and effect choices are authored starting points, not documented artist settings or a verified recording rig. No track-specific recording evidence is claimed for this profile. Listening validation on physical gear is pending.